A large studio painting built almost entirely from a single colour. Ultramarine and cobalt run through every value, from deep near-black shadows to pale washed-out highlights, set against a warm cream ground. Cut planes, folded ribbons and sharp angular fragments stack and overlap across the canvas, giving the surface a sense of depth and movement. Brush, roller and spray sit side by side, so hard edges meet soft gradients and grainy speckle. The work grows from the same letterform language as the murals, broken down further into pure shape, rhythm and colour.
